The Bastard Son & The Devil Himself (2022): Season 1 Review

Dive into the Dark World of The Bastard Son & The Devil Himself

Hey guys, get ready to dive deep into one of 2022's most intriguing dark fantasy dramas: The Bastard Son & The Devil Himself. This Netflix original series, based on Sally Green's Half Bad trilogy, truly plunged us into a world of magic, prophecy, and intense moral dilemmas. From the moment it dropped, it grabbed attention with its gritty aesthetic, complex characters, and a storyline that wasn't afraid to explore the darker side of human (and witch) nature. If you're into shows that make you question everything you thought you knew about good and evil, then you absolutely need to stick around, because we're breaking down everything that made the first season such a compelling watch. The premise itself is a thrilling hook, centering on a young man caught between warring factions, grappling with a powerful, dangerous lineage that threatens to consume him. This isn't just a fantasy; it's a deeply psychological battle for identity.

The show introduces us to Nathan Byrne, a seemingly ordinary teenager living in a world secretly teeming with witches. But Nathan isn't just any witch; he's the son of the world's most feared and powerful Blood Witch, Marcus Edge, and a Fairborn Witch. This lineage immediately sets him apart, making him an outcast even among his own kind. Right from the start, we see him struggling with his identity, constantly under surveillance by the Fairborn Witches who fear he might follow in his infamous father's footsteps. This constant tension is a major driving force, creating an atmosphere of palpable fear and suspicion around Nathan. The narrative masterfully weaves together elements of a coming-of-age story with a thrilling magical quest, all while keeping a very human core. You'll find yourself rooting for Nathan, even as he faces impossible choices and battles his own internal demons. The series expertly blends high-stakes action with deeply personal struggles, making it much more than just another magic show. His very existence is a political statement, a living embodiment of the war between the two factions, making every decision he makes fraught with immense consequence.

What makes The Bastard Son & The Devil Himself stand out in the crowded dark fantasy genre is its unapologetic embrace of moral ambiguity. There are no clear-cut heroes or villains here, guys. The Fairborn Witches, who are supposed to be the "good" side, often engage in cruel and oppressive tactics, treating Nathan with extreme prejudice and even torture. On the other hand, the Blood Witches, traditionally seen as evil, sometimes display complex motivations and even moments of surprising empathy. This grey area is where the show truly shines, forcing viewers to constantly re-evaluate their perceptions and challenge their preconceived notions. The world-building is rich, drawing you into its intricate lore without overwhelming you. You're introduced to distinct factions of witches, unique magical abilities, and an ancient prophecy that directly impacts Nathan's destiny. It's a universe brimming with danger, alliances, betrayals, and the constant threat of a war brewing between the two witch clans. The narrative style is fast-paced, keeping you on the edge of your seat, but also takes its time to develop the emotional stakes, ensuring you're invested in Nathan's perilous journey. The pilot episode immediately establishes this grim reality, showing Nathan's harsh upbringing and the profound isolation he experiences, which truly sets the tone for the entire season. You can feel the weight of expectation and fear placed upon his shoulders from day one, making his quest for self-discovery and acceptance all the more compelling. This depth of character and world-building is truly a treat for any fantasy enthusiast.

Unraveling Nathan Byrne's Troubled Journey

Now, let's really zoom in on the heart of the story, guys: Nathan Byrne's troubled journey. Our protagonist, Nathan, is a character burdened by a legacy he never asked for – being the son of the most notorious Blood Witch, Marcus Edge. This heritage is the central conflict of his existence, shaping every interaction and decision he makes. From his early days, he's ostracized, feared, and even physically abused by the Fairborn Witches who are meant to protect him. His half-sister, Jessica, is a particularly complex figure in his life. While she often acts as his tormentor, driven by her own deep-seated fear and loyalty to the Fairborn faction, there are subtle hints of a complicated sibling bond underneath the animosity. This dynamic adds layers to Nathan’s struggle, as he navigates betrayal and fragile alliances within his own family. His quest isn't just about survival; it's about understanding who he is, separating himself from his father's shadow, and ultimately deciding his own path in a world that has already decided it for him. The constant pressure he faces to receive his unique gift on his seventeenth birthday, a rite of passage for all witches, becomes a ticking clock, intensifying the suspense and driving much of the season's plot. This personal odyssey is what makes him such a relatable figure, despite his fantastical circumstances.

Throughout the season, Nathan grapples with profound questions of identity and destiny. Is he inherently evil because of his father? Can he choose to be good despite the Blood Witch magic flowing through his veins? These are not easy answers, and the show doesn't shy away from presenting him with incredibly difficult situations that test his resolve. His isolation is profound, initially finding solace only in his hidden talents and a desperate hope for acceptance. His first real connection outside his immediate, oppressive environment comes with Annalise, a kind and empathetic Fairborn Witch. Their budding relationship offers a glimmer of hope and humanity in Nathan's bleak world, showing him that not all Fairborns are prejudiced. However, their connection is constantly threatened by the warring factions and the ever-present danger surrounding Nathan. Then there's Gabriel, a mysterious and charming Blood Witch who becomes an unexpected ally. Gabriel introduces Nathan to a different side of the Blood Witch world, challenging his preconceptions and offering him guidance and protection, albeit with his own hidden agenda. These relationships are crucial for Nathan's character development, as they force him to confront his own biases, learn to trust (and mistrust), and ultimately define what "good" and "evil" truly mean to him personally. The evolution of these relationships is a cornerstone of the season, showcasing the complexities of trust and allegiance.

The show masterfully portrays Nathan's internal battle against the fear that he might become like his father. Every flicker of anger, every surge of power, is met with an agonizing internal conflict. He doesn't want to be the monster everyone expects him to be, and this desire for self-determination is incredibly powerful. We see him making mistakes, succumbing to impulses, but always striving for something better. This nuance in his character is what makes him so compelling. He's not a perfect hero, but a deeply flawed and relatable teenager thrust into extraordinary circumstances. The series also does a fantastic job of illustrating the physical and emotional toll his upbringing takes on him. The torture, the fear, the constant vigilance – it all builds up, making his moments of vulnerability and strength truly impactful. His search for his father, Marcus Edge, isn't just about finding a person; it's about finding answers, about understanding his own origins, and potentially unlocking the gift he desperately needs. This journey is fraught with peril, forcing Nathan to mature rapidly and make choices that no teenager should ever have to make. The depth of his struggle is what keeps us invested, hoping against hope that he will find a way to forge his own destiny, free from the expectations and prejudices of a world determined to label him. His journey is a testament to the enduring human spirit, even when facing overwhelming odds.

Magic, Mythology, and Moral Ambiguity

Let's talk about the super cool, yet utterly terrifying, magic system and the rich mythology that forms the backbone of The Bastard Son & The Devil Himself, guys. This isn't your average "wave a wand" kind of magic; it's visceral, often brutal, and deeply tied to the wielder's inner self and lineage. The world is primarily divided into two main factions: the Fairborn Witches and the Blood Witches. The Fairborns are perceived as the "good" ones, typically wielding powers associated with nature, healing, and control. They operate under a strict code, often enforcing it with a rigid, almost totalitarian hand, as evidenced by their treatment of Nathan Byrne. Their magic is generally seen as more "pure" or "natural." On the flip side, the Blood Witches are the feared, reviled faction, known for their darker, more destructive abilities, often involving blood magic (hence the name!) and raw power. Their magic is often seen as chaotic and dangerous, but also incredibly potent. What’s fascinating is that both types of witches need to receive their gift on their seventeenth birthday, a ritual that unlocks their full potential. Without it, they slowly wither and die. This ticking clock adds an immense amount of pressure and urgency to Nathan's quest. The distinctiveness of these magical practices and their associated societal structures is what gives the show its unique flavor and keeps viewers engaged.

The mythology of this world is surprisingly intricate for a single season. We learn about ancient rivalries, powerful artifacts, and a looming prophecy that often dictates the lives of the characters, especially Nathan's. The concept of Marcus Edge as the ultimate Blood Witch is central to this mythology. He's not just a powerful antagonist; he's a legend, a boogeyman, whose actions reverberate throughout the witch community. His ability to perform a specific, devastating spell is a key plot point, and Nathan’s connection to it is what makes him so unique and dangerous. The show doesn't just tell us about this lore; it shows us, slowly revealing the history through flashbacks, whispered stories, and the actions of the characters. We see how deeply ingrained these beliefs are, how they shape prejudices, and how they drive the conflict between the Fairborns and the Blood Witches. The world-building here is subtle yet effective, allowing viewers to piece together the history without getting bogged down in exposition. The exploration of various gifts – from elemental control to mind manipulation – keeps the magic fresh and exciting, always leaving you wondering what new power will be unleashed. This careful layering of historical context and magical mechanics provides a rich tapestry for the narrative to unfold, making the stakes feel truly ancient and profound.

And then there's the masterful handling of moral ambiguity. This is where The Bastard Son & The Devil Himself truly distinguishes itself. It constantly blurs the lines between good vs. evil. The Fairborns, who present themselves as righteous, often commit acts of cruelty and injustice, locking up innocent Blood Witches and torturing Nathan. Their fear of Marcus Edge justifies almost any action in their eyes, making them just as ruthless as the "villains" they claim to fight. Conversely, while Blood Witches are portrayed as violent and destructive, characters like Gabriel and even some of Marcus Edge's followers exhibit complex motivations and loyalties. They aren't just one-dimensional bad guys; they have their own reasons, their own codes, and sometimes, even a twisted sense of justice. This means you, the viewer, are constantly challenged to assess who is truly in the right, or if such a concept even exists in this brutal world. The show forces us to question the narratives we're given and to look beyond surface appearances. It suggests that power, regardless of its source, can corrupt, and that the lines between heroism and villainy are often drawn in the blood of circumstance. This exploration of morality is not just a backdrop; it's a central theme, making the show thought-provoking and deeply engaging on a philosophical level, pushing past simple tropes to deliver a more nuanced, darker reality. This philosophical depth is a key reason why the show resonated so strongly with its audience.

Production, Performance, and Pacing

Alright, let's switch gears and talk about the craft behind the magic, guys – the production, performance, and pacing of The Bastard Son & The Devil Himself. First off, the acting performances across the board are truly compelling, but the standout has to be Jay Lycurgo in the lead role as Nathan Byrne. He absolutely nails the complex emotional landscape of a teenager burdened by an impossible legacy. Lycurgo brings a raw vulnerability and an underlying strength to Nathan, making his struggles feel incredibly real and relatable. You feel his pain, his confusion, and his flashes of burgeoning power. It’s a nuanced performance that anchors the entire series. The supporting cast is equally strong, with Isobel Jesper Jones delivering a captivating turn as Annalise, Nathan's empathetic Fairborn love interest, and Emilien Vekemans bringing a charismatic yet enigmatic presence to Gabriel. Nadia Parkes is brilliant as Jessica, portraying a character torn between duty and a deeply conflicted familial bond, making her motivations understandable even when her actions are cruel. Every actor, from the main players to the more minor roles, commits fully to the dark tone and intricate characterizations required by the story, elevating the material significantly. The dedication of the cast truly brings this grim world to life.

The directing and cinematography are also major highlights of the show. The series boasts a distinct visual style that perfectly complements its grim and gritty narrative. The use of dark, muted colors, coupled with stark lighting, creates an atmospheric tension that perfectly captures the sense of dread and mystery inherent in Nathan’s world. Whether it's the claustrophobic confines of his imprisonment or the sprawling, dangerous forests where witches hide, every shot feels intentional and contributes to the overall mood. The action sequences are well-choreographed and impactful, portraying the brutal nature of witch fights without shying away from the consequences. The magical effects, while not always overly flashy, are used effectively to enhance the story, especially when Nathan's gifts begin to manifest. They feel organic to the world and add to the realism of the magic system. The overall production quality is very high, demonstrating Netflix's commitment to delivering a polished and immersive experience. From costume design to set pieces, everything is meticulously crafted to immerse you in this fantastical yet grounded reality. The visual storytelling truly enhances the narrative's intensity and emotional weight.

Now, regarding the pacing and storytelling effectiveness, The Bastard Son & The Devil Himself largely gets it right, though it's certainly a fast-paced beast. The show wastes no time throwing viewers into Nathan's precarious situation, establishing the high stakes and constant danger almost immediately. Each episode builds on the last, revealing new layers of the mythology and pushing the plot forward with a relentless momentum. This ensures there's rarely a dull moment, keeping you hooked and eager to see what happens next. However, for some viewers, the rapid pace might feel a little overwhelming, especially with the introduction of numerous characters and complex lore in a relatively short first season. While the show does a commendable job of integrating exposition naturally, some moments might benefit from a bit more breathing room to let the emotional beats fully resonate. That being said, the overall storytelling is compelling, effectively balancing the overarching plot of Nathan's quest for his father with the more intimate character arcs and relationships. The episodic structure works well, often ending with cliffhangers that compel you to hit "next episode" immediately. The show manages to maintain a consistent tone throughout, ensuring that the dark fantasy elements and the character drama are always in sync, delivering a cohesive and thoroughly engaging viewing experience. This balance of action and character development is a difficult feat to achieve, and the show largely succeeds.

Why You Should Binge-Watch The Bastard Son & The Devil Himself (or Not?)

So, guys, after diving deep into the intricate world of The Bastard Son & The Devil Himself, the big question remains: should you binge-watch this show? My answer is a resounding yes, especially if you're a fan of dark fantasy that isn't afraid to get its hands dirty with morally complex characters and themes. This Netflix original truly delivers a unique take on the witch genre, moving far beyond typical good-versus-evil narratives to explore the grey areas of human (and witch) nature. It’s a show that sparks conversation, challenges your perceptions, and keeps you guessing at every turn, which is exactly what high-quality storytelling should do. The series excels at creating a compelling atmosphere of dread and urgency, driven by a protagonist, Nathan Byrne, whose journey is both heartbreaking and inspiring. You’ll be invested in his struggle for identity and acceptance, and desperate for him to find his own path. His fight for self-determination resonates deeply, making his story universally appealing.

What truly makes Season 1 of The Bastard Son & The Devil Himself a compelling watch is its courage to tackle mature themes head-on. It’s not just about flashy magic spells; it’s about prejudice, survival, the weight of legacy, and the search for belonging in a world determined to reject you. The show offers a fresh perspective on magical societies, portraying the supposed "good" side with flaws and the "evil" side with surprising depth. This nuance is a breath of fresh air in a genre that sometimes relies too heavily on black-and-white distinctions. The fast-paced narrative ensures that boredom is never an issue, with each episode unfolding new mysteries and raising the stakes higher. You'll find yourself constantly hitting "next episode" as the plot twists and turns, leading to a thrilling, albeit bittersweet, climax. The performances, particularly Jay Lycurgo's portrayal of Nathan, are incredibly strong, drawing you into the emotional core of the story and making you genuinely care about the characters and their fates. The emotional investment you develop for these characters is a testament to the show's powerful writing and acting.

Now, a quick note, guys. It's important to acknowledge that despite its critical acclaim and strong fan base, Netflix unfortunately cancelled The Bastard Son & The Devil Himself after its first season. This is a common frustration with streaming services, and it means the story, based on Sally Green's trilogy, doesn't get a full on-screen conclusion. However, don't let this deter you from experiencing Season 1. The show delivers a satisfying, albeit open-ended, arc for its first season. While it leaves some threads untied, as most first seasons do, it still provides a powerful and impactful narrative experience. Think of it as a brilliant, self-contained introduction to a rich world and complex characters. You still get a complete story for Nathan's initial journey and a taste of the larger conflict. For fans of shows like Shadow and Bone, Teen Wolf, or even The Witcher who appreciate a darker, character-driven fantasy, this is absolutely worth your time. It offers a unique blend of supernatural thrills, emotional depth, and moral quandaries that will keep you thinking long after the credits roll. So, if you're looking for an intense, engaging, and visually striking dark fantasy to sink your teeth into, give The Bastard Son & The Devil Himself a watch. You won't regret immersing yourself in Nathan's perilous, yet ultimately hopeful, fight for his own identity. It's a journey that, even if cut short, leaves a lasting impression and offers a fantastic standalone experience.